Psychiatry is rapidly adopting digital phenotyping and artificial intelligence/machine learning tools to study mental illness based on tracking participants’ locations, online activity, phone and text message usage, heart rate, sleep, physical activity, and more. Existing ethical frameworks for return of individual research results (IRRs) are inadequate to guide researchers for when, if, and how to return this unprecedented number of potentially sensitive results about each participant’s real-world behavior. To address this gap, we convened an interdisciplinary expert working group, supported by (...) a National Institute of Mental Health grant. Building on established guidelines and the emerging norm of returning results in participant-centered research, we present a novel framework specific to the ethical, legal, and social implications of returning IRRs in digital phenotyping research. Our framework offers researchers, clinicians, and Institutional Review Boards (IRBs) urgently needed guidance, and the principles developed here in the context of psychiatry will be readily adaptable to other therapeutic areas. (shrink)

This article offers an account of online experimentation and innovation that has taken place in the English department of the University of Wolverhampton from 2003 to 2005. Focusing on an introductory first-year module and two third-year modules, it explores how and to what extent a virtual learning environment can enhance the teaching of English literary studies in higher education. Using a ‘blended learning’ model of English teaching, in which face-to-face and online teaching are integrated, the study examines how VLEs can (...) be incorporated into a coordinated assessment regime within individual modules, and considers the strategies for implementing VLE assessment in a staged progression across an English programme. The authors argue that online activities need to be both integrated into English courses and assessed.When balanced properly, VLE work offers no ‘easy option’ for students but effectively complements more traditional forms of assessment in English, such as essays and exams. (shrink)

The study of anarchism as a philosophical, political, and social movement has burgeoned both in the academy and in the global activist community in recent years. Taking advantage of this boom in anarchist scholarship, Nathan J. Jun and Shane Wahl have compiled twenty-six cutting-edge essays on this timely topic in New Perspectives on Anarchism.

A definitive study of the great "philosopher of industrial science." Dr. Farrington pinpoints Bacon as the first man to grasp the revolutionary possibilities of man's increasing control over natural forces. The author sees Bacon's plan for the total reform of society by the application of science to production as the central theme of his life.

Altakkadisches Elementarbuch. By Francis Breyer. SILO, vol. 3. Wiesbaden: Harrassowitz Verlag, 2014. Pp. xiv + 263, illus. €28.

In lieu of an abstract, here is a brief excerpt of the content:Francis Bacon: The Theological Foundations of Valerius TerminusBenjamin MilnerFrancis Bacon’s Great Instauration for learning and the sciences, formally launched with the publication of Novum Organum (1620), may fairly be said to have commenced fifteen years earlier with the publication of The Proficience and Advancement of Learning, Divine and Human (1605), which, revised and translated into Latin as De Dignitate et Augmentis Scientiarum (1623), became an integral part of (...) the Instauration. A few years earlier, however, Bacon made an attempt to formulate his philosophy of nature, or science, in a work which he evidently planned to publish but never did—Valerius Terminus: Of the Interpretation of Nature with the Annotations of Hermes Stella (1603?). 1 Fragmentary as it is, this work contains the ingredients of Bacon’s natural philosophy, although they are not in all respects identical with those of the later works which superseded it. The most distinctive feature of Valerius, however, is its disclosure of Bacon’s original interest in setting his program for the advancement of science on a theological footing. 2 What the nature of that foundation is, why Bacon thought it necessary, and why it was abandoned are questions that, as I shall try to show, are principally answered by an analysis of two earlier works, the Meditationes Sacrae (1597), the unpublished Confession of Faith (1602?), and Valerius Terminus itself.Bacon’s first published work actually comprises three different texts: one on rhetoric, Colors of Good and Evil; a collection of Essays; and Meditationes Sacrae. Of these, Meditationes fared most poorly in subsequent years. It was never translated into English by Bacon himself and was soon severed from the [End Page 245] Essays (VII, 229). Rarely commented upon, it has apparently been dismissed as having any significance for our understanding of Bacon’s thought, but a second look will show that this is not the case.There are twelve meditations, each of which has a biblical text, and the homilies that follow reflect biblical teaching. They have quite a range: “the works of God and the works of man,” “the miracles of our savior,” “the exaltation of charity,” “of earthly hope,” “of hypocrites,” “of heresies,” “the church and the scriptures”; but it is clear that two themes—Charity and Heresy—subsume the rest.Charity is not merely a thought or feeling but the actual performance of good works, the demand for which—in the life of the believer—is total: unless your work is God’s work “thou shalt work in pain and distress, and thou shalt look back upon thy work with disgust and reproach” (VII, 243). Three successive meditations deal explicitly with hypocrisy in religion, but Bacon brings each of these under the rubric of good works, deriding those who are ostentatious in the celebration and observation of ritual detail and cultic practice but who ignore the commandment to love their neighbor. The works of Jesus furnish the best model: all his miracles, Bacon keenly observes, “were for the benefit of the human body, his doctrine for the benefit of the human soul” (VII, 244). The religion espoused is one of good works, and Bacon invokes here, as elsewhere, the well-known definition of James (Jas.I.27): “pure religion and undefiled before God and the Father is this, to visit the orphans and widows in their affliction” (VII, 249).“Heresy” is the subject of the second group of meditations, but in these Bacon intends not so much to condemn or to exhort as to lay down theological positions. The text of the first, “Of Atheism,” is taken from Psalms 14.1: “the fool hath said in his heart, There is no God.” But this is not what the fool has thought, Bacon insists, only what he has said. “That is, it is not so much that he feels it inwardly as that he wishes to believe it.” Strive as he may to do so, however, “there remains in him that sparkle of original light (igniculus luminis primi) whereby we acknowledge a divinity, to extinguish which utterly, and pluck the instinct (stimulum) out of his heart, he strives in vain.” It is not “out of his natural sense and judgment” that... (shrink)

Ce texte est l'introduction de la thèse de Benjamin Pradel : « Rendez-vous en ville! Urbanisme et urbanité événementielle : les nouveaux rythmes collectifs » – soutenue le 27 novembre 2010, sous la direction de Francis Godard et Marie-Hélène Massot. Nous le remercions de nous avoir autorisé à la reproduire ici. Prendre le plaisir où il se trouve, ne pas s'en faire avec excès pour le malheur et saisir le rythme qui maintient l'humanité dans ses attaches. Nietzsche, 1872, (...) Naissance de la tragédie - Sociologie – Nouvel article. (shrink)

Francis Mulhern’s Figures of Catastrophe argues for the existence of a hitherto-unnoticed generic form: the condition of culture novel, which offers a metacultural reflection on the conditions for the existence of culture and for access to culture. Mulhern’s analysis is located within the framework of Marxist reflections on culture, the history of British cultural Marxism, and Mulhern’s own project of the critique and analysis of ‘metaculture’ in Britain. In particular, this review focuses on Mulhern’s contention that the ‘condition of (...) culture novel’ offers a catastrophic or even nihilistic vision of the access to culture by the working class. Mulhern’s argument is that the ‘condition of culture’ novel accompanies the emergence, solidification and collapse of the British culture of ‘labourism’. This review explores the consequences of this argument for the assessment of ‘culture’ and the future of the novel as a site of reflection on the condition of culture. (shrink)

Miles Davis, supremely cool behind his shades. Billie Holiday, eyes closed and head tilted back in full cry. John Coltrane, one hand behind his neck and a finger held pensively to his lips. These iconic images have captivated jazz fans nearly as much as the music has. Jazz photographs are visual landmarks in American history, acting as both a reflection and a vital part of African American culture in a time of immense upheaval, conflict, and celebration. Charting the development of (...) jazz photography from the swing era of the 1930s to the rise of black nationalism in the ’60s, Blue Notes in Black and White is the first of its kind: a fascinating account of the partnership between two of the twentieth century’s most innovative art forms. Benjamin Cawthra introduces us to the great jazz photographers—including Gjon Mili, William Gottlieb, Herman Leonard, Francis Wolff, Roy DeCarava, and William Claxton—and their struggles, hustles, styles, and creative visions. We also meet their legendary subjects, such as Duke Ellington, sweating through a late-night jam session for the troops during World War II, and Dizzy Gillespie, stylish in beret, glasses, and goatee. Cawthra shows us the connections between the photographers, art directors, editors, and record producers who crafted a look for jazz that would sell magazines and albums. And on the other side of the lens, he explores how the musicians shaped their public images to further their own financial and political goals. This mixture of art, commerce, and racial politics resulted in a rich visual legacy that is vividly on display in Blue Notes in Black and White. Beyond illuminating the aesthetic power of these images, Cawthra ultimately shows how jazz and its imagery served a crucial function in the struggle for civil rights, making African Americans proudly, powerfully visible. (shrink)

The essay defines two different modes of filmic violence: sublime and drastic pictures of violence. Based on the definitions of the sublime by Edmund Burke and Immanuel Kant, I argue that the sublime has the tendency to detach the viewer from possible affective end empathetic response to pictures of bodies in pain on the screen. By contrast, the drastic mode has potential to evoke empathetic reactions. Both modes are grounded in specific ways of showing violence: the sublime mode diminishes the (...) bodies on the screen, the drastic mode shows us the faces in close-up and tries to immerse the viewer in the violence.Both definitions are informed by phenomenological film theory, which positions the body of the viewer at the centre of film reception. Nevertheless, the somatic experience is not the only scope of film reception. Films not only show us a filmic world but also suggest a more or less specific way of seeing the world outside the cinema.To this effect, both ways of staging violence have ideological implications. The sublime violence allows the viewer to experience himself as strong and invulnerable, while drastic pictures of violence tend to victimize the viewer.These assumptions are tested on two exemplary instances: the helicopter scene in Francis Ford Coppolas war movie Apocalypse Now and the shower scene in Alfred Hitchcock’s Psycho. (shrink)

Recent scholars have examined the important role of English Deism in the formation of a modern naturalistic approach to the study of human religiosity. Despite the volume of important studies of various aspects of his thought, the role of Francis Hutcheson (1694?1746) in this development has been overlooked. The aim of this paper is to show how Hutcheson develops his own account of the origins of religion, consonant with his more well-known theories in aesthetics and moral philosophy, that diverges (...) sharply from the then-prevailing Deist views. Hutcheson pioneers a psychological account of religion that anticipates the work of nineteenth- and twentieth-century scholars in important ways. At the same time, Hutcheson incorporates his account of the origins of religion into an overall vision of human flourishing. (shrink)

Resenha do livro: WOLFF, Francis. ARISTÓTELES E A POLÍTICA. São Paulo: Discurso Editorial, 1999.

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 64.4 (2003) 619-637 [Access article in PDF] Overcoming Gnosticism:Hans Jonas, Hans Blumenberg, and the Legitimacy of the Natural World Benjamin Lazier University of Chicago In 1984, about a decade before his own murder, the Romanian scholar of religion Ioan Culianu complained of a more widespread, if decidedly less grisly form of assault. 1 The gnostics, he declared in a moment of high (...) jocularity, had "taken hold of the whole world, and we were not aware of it. It is a mixed feeling of anxiety and admiration, since I cannot refrain myself from thinking that these alien body-snatchers have done a remarkable job indeed." 2Though offered in jest, Culianu's designation "alien body-snatchers" quite accurately sums up what has remained since 1934 the leading view of gnosticism as a delimited, identifiable phenomenon. In that year appeared the first monumental volume of Gnosis und spätantiker Geist (Gnosis and the Spirit of Late Antiquity) composed by the young Jewish philosopher Hans Jonas as a dissertation under Martin Heidegger and the theologian Rudolf Bultmann. Over the next sixty years Jonas returned again and again to the movement as he defined it. Above all, gnosticism had as its guiding principle the notion of das Fremde. The term includes in its linguistic domain not only "the alien," by which it is most usually translated, but its cognates as well: the strange, the foreign, the other, the unknown, the uncanny, and the like. This sense of alienation is wildly overdetermined in gnostic theology: man is alienated from himself, from a fully transcendent God, and most powerfully from the material, [End Page 619] sensuous universe in which he lives, created as it was by an evil, malicious demiurge. Such anti-cosmism could license both ascetic retreat from the world as well as an antinomian descent into the worldly abyss, with the intent to defeat it from within. The locution "body-snatcher" now acquires relevance, for gnostic theology made impossible any positive appraisal of the physical body, or of the physical world at all for that matter. As the political philosopher Leo Strauss put it in a letter to Jonas, gnosticism may well have been the most radical rebellion in Western history against the Greek notion of physis.In stylized terms Jonas's philosophical career represents what I would like to call gnosticism's "third overcoming." Such terms signal an allegiance to the work of the German philosopher Hans Blumenberg. But they signal a departure as well. In Legitimität der Neuzeit (Legitimacy of the Modern Age, 1966), Blumenberg undertook what must count among the most ambitious revisions of Western intellectual history ever ventured. Against a rash of attacks on the modern age as an ill-concealed, secularized derivative of an earlier Christian era, he stepped up in its defense. He linked the emergence of the modern age—defined preeminently by man's need for self-assertion, to act in the world—to a "second overcoming" of gnosticism at the end of the Middle Ages. The gnostic spirit he found revived by the nominalism and theological voluntarism of late-medieval scholastic theology, a loose confluence of thought centripetally bound by the black hole of the deus absconditus or hidden god. Whereas gnosticism's first overcoming was Augustine's work and but a partial success, its second, and for Blumenberg "final" overcoming was the work of an ethos of human self-assertion best instantiated by the scientific program of Francis Bacon.To argue for its third overcoming in the late 1920s and '30s is therefore to take leave of Blumenberg's account, if also to extend it. The condition for the possibility of this argument, of course, is that gnosticism had in fact returned. Gnosticism, or at the very least a host of phenomena going by the name and generally understood as such, did indeed return, and with a vengeance—on the occult scene, in philosophy, in theology of all persuasions, even in natural-scientific discourse. This period also witnessed the return of the... (shrink)

Art, Mimesis and the Avant-Garde explores the relationship between art and philosophy. Andrew Benjamin argues for a reworking of the task of philosophy in terms of the centrality of ontology. It is in relation to this centrality, understood through the differences between modes of being, that art, mimesis, and the avant-garde come to be presented. A fundamental part of this book is the original interpretations of important contemporary painters and their themes: Lucian Freud's self-portraits, Francis Bacon 's use (...) of mirrors, R. B. Kitaj and Jewish identity, Anselm Kiefer and iconoclasm. Apart from painting, Benjamin considers architecture, literature, and the philosophical writings of Walter Benjamin and Descartes in elaborating the various aspects of ontological difference. Benjamin develops the theory of the avant-garde as a philosophical category rather than a historical marker, thus bringing the worlds of contemporary art criticism and contemporary philosophy closer together. (shrink)

In relative clause extraposition (RCE) in English, a noun is modified by a non-adjacent RC, resulting in a discontinuous dependency, as in: Three people arrived here yesterday who were from Chicago. Although discourse focus is known to influence the choice of RCE over truth-conditionally equivalent sentences with canonical structure (Rochemont and Culicover, English focus constructions and the theory of grammar, Cambridge University Press, 1990; Takami, A functional constraint on Extraposition from NP, John Benjamins, 1999), Hawkins (Efficiency and complexity in grammars, (...) Oxford University Press, 2004) and Wasow (Postverbal behavior, CSLI Publications, 2002) have proposed in addition that RCE should be preferred when the relative clause is long (or ‘heavy’) relative to the VP because such structures are processed more efficiently in comprehension and production. The current study tested this hypothesis based on Hawkins' (Efficiency and complexity in grammars, Oxford University Press, 2004) domain minimization principles. In an acceptability judgment task, canonical sentences were rated significantly higher than extraposition sentences when the RC was light, but this difference disappeared when the RC was heavy. In a self-paced reading task, extraposition sentences were read significantly faster than canonical sentences when the RC was heavy, but there was no difference when the RC was light. In an analysis of RCE in the ICE-GB corpus, extraposed RCs were significantly longer than the VP on average, whereas canonical RCs were significantly shorter, and the proportion of sentences with extraposition decreased as the ratio of VP-to-RC length increased. These findings support Hawkins' (Efficiency and complexity in grammars, Oxford University Press, 2004) domain minimization principles and help explain why a discontinuous dependency is allowed and sometimes preferred even in a language with relatively fixed word order. (shrink)

The concept of athleticism seems, at first glance, to be a minor component of Deleuze's analysis in Francis Bacon, appearing by name in the text only six times. In this article, I draw out the close link between athleticism and Deleuze's fundamental concept of intensity, arguing that this ostensibly minor term is in fact central to his account of the ‘clear and durable sensation’ produced by Bacon's painting. In tracing links between athleticism, Deleuze's aesthetic concept of ‘the fall’, and (...) his reliance on and critique of Kant's theory of intensive magnitudes, I show that athleticism in Francis Bacon names the form of intensity proper to painting. (shrink)

First published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.

In this paper, we show that the question of the relative importance of innate characteristics and institutional arrangements in explaining human difference was vehemently contested in Britain during the first half of the nineteenth century. Thus Sir Francis Galton’s work of the 1860s should be seen as an intervention in a pre-existing controversy. The central figure in these earlier debates—as well as many later ones—was the philosopher and economist John Stuart Mill. In Mill’s view, human nature was fundamentally shaped (...) by history and culture, factors that accounted for most mental and behavioral differences between men and women and among people of different classes, nationalities, and races. Indeed, Mill’s whole program of social reform depended on the assumption that human differences were not fixed by nature. To identify the leading figures in these disputes about difference and the concrete context in which they occurred, we explore three debates in which Mill played a key role: over the capacities and rights of women, the viability of peasant proprietorship in India and Ireland, and the status of black labor in Jamaica. The last two draw our attention to the important colonial context of the nature–nurture debate. We also show that ideas that for us seem of a piece were not always linked for these earlier thinkers, nor did views on innateness necessarily have the political correlates that we now take for granted. (shrink)

Benjamin S. Bloom and a large committee of educators did extensive research to develop a taxonomy of global educational goals and of ways to measure their achievement in the classroom. The result was a taxonomy of three domains: Cognitive, Affective, and Motor Skills. This paper examines the cognitive and affective domains and applies them to teaching business ethics. Each of the six levels of the cognitive domain is explained. A six-step case method model is used to illustrate how the (...) six cognitive levels might be used and tested in the classroom. The five levels of the affective domain are also described. They are illustrated behaviorally in terms of a student's increasing interest, motivation and commitment to business ethics. (shrink)

ABSTRACTAs the Spanish Civil War came to an end, hundreds of thousands of Spaniards who had opposed the military rebellion which initiated the war and remained loyal to the democratically elected government were forced into exile. Amongst them was the philosopher María Zambrano. While little known to an English-speaking readership, she represents a unique voice engaging with some of the fundamental problems of our times. Her life was marked, like that of her contemporaries Benjamin, Husserl, Arendt, Patočka, Adorno, Lacan, (...) Derrida and Blumenberg by the crisis of modernity culminating in the two World Wars. Her work is part of the same philosophical debates, currents and problems facing the Europe of her time. The aim of the volume María Zambrano amongst the philosophers, introduced in this article, is to focus on the links between Zambrano’s thought and a wide range of themes and ideas associated with these other European thinkers. A summary of Zambrano’s main philosophical concepts and preoccupations is also offered to help the reader situate the translated anthology of texts by the philosopher included in the volume. (shrink)

In 1949, Benjamin Farrington published his book Francis Bacon, Philosopher of Industrial Science. It was a Marxist take on Bacon and his significance, and, despite a degree of single-mindedness in its characterization, it presented a Francis Bacon who foretold the future stunning successes of a state-run technoscientific enterprise. Nowadays, when those successes have ceased to seem so stunning and the Soviet state that produced them is no more, Farrington’s is a reading that is both less obviously ideologically (...) charged and, as it has been for a good many years, less popular. But he had focused on an important way of understanding Francis Bacon. Now, in Stephen Gaukroger’s new book, a much more sophisticated and complex picture of Bacon the philosopher is unveiled, but one that, at root, resonates strongly with Farrington’s. (shrink)

This chapter offers a proceduralist argument against capital punishment. More specifically, it contends that the possibility of irrevocable mistakes precludes the just administration of the death penalty. At stake is a principle of political morality: legal institutions must strive to remedy their mistakes and to compensate those who suffer from wrongful sanctions. The incompatibility of remedy and execution is the crux of the irrevocability argument: because the wrongly executed cannot enjoy the morally required compensation, execution is impermissible. Along with defending (...) his key premises, Yost explains the complicated role that sentencing uncertainty plays in the argument. He concludes by noting some of the flaws in substantive consequentialist and retributivist justifications of capital punishment. (shrink)

We perceive smells as perduring complex entities within a distal array that might be conceived of as smellscapes. However, the philosophical orthodoxy of Odor Theories has been to deny that smells are perceived as having a distal location. Recent challenges have been mounted to Odor Theories’ veracity in handling the timescale of olfactory perception, how it individuates odors as a distal entities, and their claim that olfactory perception is not spatial. The paper does not aim to dispute these criticisms. Rather, (...) what will be shown is that Molecular Structure Theory, a refinement of Odor Theory, can be further developed to handle these challenges. The theory is further refined by focusing on distal perception that requires considering the perceptual object as mereologically complex persisting odor against a background scene conceived of as a smellscape. What will be offered is an expansion of Molecular Structure Theory to account for distal smell perception within natural environments. (shrink)

We are immersed within an odorous sea of chemical currents that we parse into individual odors with complex structures. Odors have been posited as determined by the structural relation between the molecules that compose the chemical compounds and their interactions with the receptor site. But, naturally occurring smells are parsed from gaseous odor plumes. To give a comprehensive account of the nature of odors the chemosciences must account for these large distributed entities as well. We offer a focused review of (...) what is known about the perception of odor plumes for olfactory navigation and tracking, which we then connect to what is known about the role odorants play as properties of the plume in determining odor identity with respect to odor quality. We end by motivating our central claim that more research needs to be conducted on the role that odorants play within the odor plume in determining odor identity. (shrink)

Capital punishment—the legally authorized killing of a criminal offender by an agent of the state for the commission of a crime—stands in special need of moral justification. This is because execution is a particularly severe punishment. Execution is different in kind from monetary and custodial penalties in an obvious way: execution causes the death of an offender. While fines and incarceration set back some of one’s interests, death eliminates the possibility of setting and pursuing ends. While fines and incarceration narrow (...) one’s routes to happiness, death eliminates its possibility. Not surprisingly, there is much debate about the moral permissibility of capital punishment. This entry maps the terrain of this debate. The first section discusses justifications of the death penalty as they appear in major theories of punishment. The second section surveys moral objections to execution that apply to most justifications. The third addresses procedural criticisms, which do not target the morality of execution so much as the justice of its implementation. (shrink)

First published in 1993, this is a new edition of the classic text in which Clenora Hudson-Weems sets out a paradigm for women of African descent. Examining the status, struggles and experiences of the Africana woman forced into exile in Europe, Latin America, the United States or at Home in Africa, the theory outlines the experience of Africana women as unique and separate from that of some other women of color, and, of course, from white women. Differentiating itself from (...) the problematic theories of western feminisms, Africana Womanism allows an establishment of cultural identity and relationship directly to ancestry and land. (shrink)

Résumé éditeur : "Nous avons perdu les deux repères qui permettaient autrefois de nous définir entre les dieux et les bêtes. Nous ne savons plus qui nous sommes, nous autres humains. De nouvelles utopies en naissent. D'un côté, le post-humanisme prétend nier notre animalité et faire de nous des dieux promis à l'immortalité par les vertus de la technique. D'un autre côté, l'animalisme veut faire de nous des animaux comme les autres et inviter les autres animaux à faire partie de (...) notre communauté morale. Alors forgeons une nouvelle utopie à notre mesure. Ne cherchons plus à nier les frontières naturelles - celles qui nous séparent des dieux ou des animaux - et défendons un humanisme conséquent, c'est-à-dire un cosmopolitisme sans frontières.". (shrink)